Showing posts with label lil wayne. Show all posts
Showing posts with label lil wayne. Show all posts

Kevin Rudolf – Cash Money Hero’s [Long Snippet]


I know a lot of people are waiting on this record, and we have had like two snippets already, but here is the best version of the snippet which Skim found. You can even hear a bit of Wayne’s verse… so what do y’all think from the previews? Sounds fire right?

Also, everyone at here would just like to wish all of our readers and members a Happy Christmas -- we hope you have a great day :)

Cash Money Records Merging With Warner Music Group? + Fabolous Inspired By No Ceilings




If worked right, this merge could be HUGE! Last week while Baby and Wayne paid a visit to a Manhattan courthouse for Wayne’s gun case (he’ll be sentenced Feb. 9th), they also paid visit to Warner Music Group’s HQ’s.
Details are extremely sketchy at this point, but an EXTREMELY reliable source confirmed with me that a “secret secret hush hush* meeting occurred with several major big wigs from both parties (Oh hai Lyor Cohen & Brian Williams).
While nothing’s been solidified in regards to logistics to this ground breaking venture, possibilities of future collaborations and ish of that nature are hatching as we speak. A merger of the sort could combine the forces of every conglomerate under the respective umbrellas of WMG and Cash Money Records.
This includes Atlantic Records Group (Lupe’s 1st & 15th Entertainment, T.I.’s Grand Hustle Records, Maino’s Hustle Hard imprint) Warner Brothers Records Inc (Asylum Records- Gucci Mane lives here, Warner Bros. Records, Blacksmith Records) and a bevy of other imprints.
And then you have to think of all the subsidiary labels under those major labels. Get my drift?
A quick note before I get out of here: Gee Roberson (the founder of the management empire, Hip Hop Since 1978) co-manages Lil Wayne and Drake- two actives players under the Cash Money/Young Money umbrella.
Gee also still serves as the president under Atlantic Records’ Urban Division. Put the pieces together, enjoy some egg nog and let’s merge some theories of what this could turn into for 2010. Cool?
Shouts to BET, and this would be BIIIGGG if it turns out to be true! Hit the jump to see some more updates including 40 Cock and Fabolous:

40 Glocc & Zoo Life talk about Lil Wayne ONCE again:

Fabolous says Drake’s So Far Gone, and Lil Wayne’s No Ceilings inspired him to do his own mixtape:

“The Drake mixtape of course was a huge success,” Fab explained in an interview. “Lil Wayne’s tape generated a lot of interest. I saw Wayne and just listening to his tape gave me kinda the feeling that people still accepted the mixtapes and wanted to hear it. I guess it’s particular artists that they attach to but I had felt even with the most high-class artists, people were getting so used to getting free music that the mixtape game wasn’t that influential anymore. So when I seen what [Wayne's] No Ceilings did, it let me see that there’s still definitely potential there, there’s still that market there. I think for me it’s definitely there because my albums tend to be a little more mainstream than my mixtapes.”

Exclusive: Jamie Foxx – Straight To The Dance Floor [No DJ] (Feat Lil Wayne)

Here is the Jamie Foxx single titled “Straight To The Dance Floor” featuring Lil Wayne tagless. We posted this song 3 days ago with tags, but we are now bringing it to you with no tags -- call it our Christmas present to y’all. This single will appear on Jamie’s upcoming album, Body which is set to drop on March 2nd 2010. You can listen and download the record below:





Download: Rapidshare | Usershare

Full Biography Of Lil Wayne


A game-changing artist and an impervious celebrity, Lil Wayne began as his career as a near-novelty -- a pre-teen delivering hardcore hip-hop -- but through years of maturation and reinventing the mixtape game, he developed into a million-selling rapper with a massive body of work, one so inventive and cunning that it makes his famous claim of being the "best rapper alive" worth considering. Born Dwayne Michael Carter, Jr. and raised in the infamous New Orleans neighborhood of Hollygrove, he was a straight-A student but never felt his true intelligence was expressed through any kind of report card. He found music was the best way to express himself and after taking the name Gangsta D he began writing rhymes. Combining a strong work ethic with aggressive self-promotion, the 11-year-old convinced the Cash Money label to take him on, even if it was just of odd jobs around the office. A year later, in-house producer Mannie Fresh partnered him with the 14-year-old B.G. and dubbed the duo the B.G.'z. Although only B.G.'s name appeared on the cover, the 1995 album True Story has since been accepted as the B.G.'z debut album both by fans and the Cash Money label. The 1997 album, Chopper City, was supposed to be the follow-up, but when Wayne accidentally shot himself in the chest with a .44, it became a solo B.G. release.

That same year, he officially took the moniker Lil Wayne, dropping the "D" from his first name in order to separate himself from an absent father. He joined B.G., Juvenile, and Young Turk for another Fresh project, the teen hardcore rap group the Hot Boys who released their debut album Get It How U Live! in 1997. Two years later, Cash Money would sign a distribution deal with the major-label Universal. Mainstream distribution would help that year's Hot Boys album Guerrilla Warfare to reach the number one spot on Billboard's Top R&B/Hip-Hop Albums. In 1998, Lil Wayne would appear on Juvenile's hit single "Back That Thing Up," or "Back That Azz Up" as it appeared on Juvie's album 400 Degreez. Wayne would launch his solo career a year later with the album Tha Block Is Hot featuring the hit single title track. It went double platinum but the rapper was still unknown to Middle America since his hardcore rhymes and the rough Cash Money sound had not yet crossed over. His second album, Lights Out (2000), failed to match the success of its predecessor but it did go gold, and with an appearance on the Big Tymers' hit single "#1 Stunna," his audience was certainly growing. While Fresh was primarily responsible for launching his career, Wayne was now much closer to Fresh's fellow Big Tymer and Cash Money CEO Birdman. When Juvenile left the label, Wayne -- or "Birdman Jr." as he was calling himself -- showed his allegiance to his CEO by releasing an album with a title much hotter than Juvie's breakthrough effort. 500 Degreez landed in 2002 and while it went Gold, rumors began flying about Cash Money's financial troubles and possible demise. The rest of the Hot Boys had defected and Wayne's planned 2003 album was scraped, coming out instead as an underground mixtape called Da Drought.

Wayne became enamored with the mixtape world after Da Drought drew so much attention from the hip-hop press. He used these underground releases to drum up anticipation for his next official album, the breakthrough effort Tha Carter. Released in 2004, the album seemed familiar on one hand with Mannie Fresh's production, but the Wayne on the cover was a dreadlocked surprise, and the rhymes he laid on the tracks showed significant growth. His marketing skills had become sharper too, and it was no mistake that the album's hit single, "Go DJ," mentioned hip-hop's greatest taste makers right in the title. It reached number five on the singles chart, and with a guest shot on Destiny's Child's number three single, "Soldier," Wayne had officially crossed over. On the flipside, his street cred was supported by a slew of mixtapes released in 2005, including the popular titles Dedication with DJ Drama and Tha Suffix with DJ Khaled. Cash Money's future was no longer in doubt and traditional music business rules no longer seemed to apply as tracks would be leaked onto the Internet and various DJ's mixtapes. "Get Something" was another bold move as a Universal-funded video was made without the track ever seeing official release.

With his alternative marketing scheme working in overdrive, the 2005 landing of Tha Carter II was a major event, selling over a quarter-million copies the week of its release. "Fireman" and "Shooter" with Robin Thicke were released as singles while the album -- which for the first time featured no Mannie Fresh productions -- went platinum. It also introduced his Young Money posse with appearances from Curren$y and Nicki Minaj, and initially came with a bonus disc featuring Wayne's greatest hits screwed and chopped by Swishahouse DJ Michael "5000" Watts. A year later he collaborated with Birdman for the Like Father, Like Son album, featuring the hit single "Stuntin' Like My Daddy." His mixtapes were still flooding the underground including the stunning Dedication 2 which came with an iconic image of the rapper on the cover plus the much talked-about track "Georgia...Bush," a venomous response to president George W. Bush's handling of the Katrina disaster. With no official follow-up to Tha Carter II in sight, numerous collaborative tracks kept the rapper in the mainstream with "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, and "Duffle Bag Boy" by Playaz Circle becoming three of the biggest hits.

Tha Carter III was promised for 2007 but didn't arrive until a year later, setting off Wayne's infamous reputation of delayed releases. Part of the problem became unauthorized leaks of the album's tracks, something combated by the official, downloadable EP The Leak released that same year. Preceded by the number one hit "Lollipop," Tha Carter III arrived in May of 2008, selling more than a million copies in its first week of release. An appearance on Saturday Night Live and four Grammy Awards -- including Best Rap Album -- spoke to Wayne's mainstream acceptance. He also performed at that year's Country Music Awards with Kid Rock, but rather than rap, he played guitar. The guitar playing was part of Wayne's new involvement with rock music, including his help in signing Kevin Rudolf to Cash Money plus an appearance on Rudolf's massive hit "Let It Rock." His planned rock album was previewed with the 2009 single "Prom Queen" but when the album failed to meet its promised April release date, the music press began to portray the rapper as the king of missed street dates. Unconcerned, Wayne forged ahead with his Young Money crew, releasing the underground mixtape Young Money Is the Army, Better Yet the Navy plus the aboveground single "Every Girl" that same year. ~ David Jeffries, All Music Guide



Video: Lil Wayne Making “Banned From TV” [The Nino Brown Story Part 2 Preview]




Check out the video above to see Lil Wayne making his “Banned From TV” song from his No Ceilings mixtape. You can see from the video that Wayne has a lot of fun making songs, and this is another preview video from Lil Wayne’s and DJ Scoob Doo’s The Nino Brown Story Part 2 movie.
“It’s phenomenal to see somebody at 7 o’clock in the morning or 8 o’clock in the morning, after being in the studio a good 10, 12 hours, and still having fun,” he said. “You’re going to see him laughing at himself. He’s not listening to anybody tell jokes. He’s listening to his own words, he’s listening to his own raps, and he’s having the best time of his life.”
Props MTV


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